Index de l'article
Art-Nechvatal
RECOMPENSES
EXPOSITIONS PERSONNELLES
EXPOSITIONS COLLECTIVES
EXPOSITIONS AUDIO
INSTALLATIONS ET PERFORMANCES
PUBLICATIONS SELECTIONNEES PAR L’ARTISTE
BIBLIOGRAPHIE
Toutes les pages

 

Joseph Nechvatal, aux États-Unis en 1951, travaille entre Paris et New York. Son oeuvre, tant sur le plan technique que conceptuel, est devenu aujourd'hui une référence en matière d'art numérique. Nechvatal travaille avec les images électroniques et la technologie informatique depuis 1986. Ses peintures assistées par ordinateur traduisent des images intimes du corps en unités picturales que les virus informatiques transforment. Ce travail intègre en les fusionnant, le dessin, la peinture, l'écrit et le code informatique réifié en tant que tel. La contamination de la tradition de la peinture sur toile par les nouvelles technologies digitales crée ainsi une interface entre le virtuel et le réel, ce qu’il appelle le viractuel.

Docteur en philosophie de l'art et des nouvelles technologies, enseignant à la School of Visual Arts à New York, Joseph Nechvatal est par ailleurs l'auteur d'un livre de théorie de l'art intitulée Immersion Into Noise.

 

 

 


 

RECOMPENSES :

1983 - Caps Grant, Painting

1985 - National Endowment for the Arts, Painting

1985 - National Endowment for the Arts, Opera and Musical Theater

1985 - Massachusetts Council of the Arts, Performance

1986 - National Endowment for the Arts, InterArts

1986 - Foundation for Contemporary Performance Arts, Inc.

1988 - New York, NY Foundation for the Arts, Painting

1989 - Pollock-Krasner Foundation Award

1991-1993 - Artist-in-Residence, Arbois, France

1992-1993 - Artist-in-Resident, Fondation Claude-Nicolas Ledoux's computer lab in Arc-et-Senans, France

1992 - New York, NY Foundation for the Arts, Painting

1995 - Artist-in Residence, Cite des Art Internationale, Paris

1996-8 - Research Fellowship,University of Wales, CAiiA, Newport, U. K.

1997 - New York Foundation for the Arts: Computer Arts

2003 - New York Foundation for the Arts: Computer Arts

 


 

EXPOSITIONS PERSONNELLES :

2010 - Art Rétinal Revisité: Histoire de l’Oeil, Galerie Jean-Luc & Takako Richard, Paris

- voglia, Claudio Bottello Galerie, Torino, Italy

- Viral Venture, École Supérieure d'AudioVisuel, Université de Toulouse le Mirail, Toulouse, France

2009 - terra incOgnitO, Wm Turner Gallery, Atlanta, Georgia, USA

2008 - Joseph Nechvatal: Recent Paintings, Galerie Jean-Luc & Takako Richard, Paris

2006 - Joseph Nechvatal, The Butler Institute of American Art's Beecher Center, Youngstown, Ohio

- Metaphysics and the Virtual, Roger Smith Lab Gallery, New York City

2005 - contaminatiOns, Le château de Linardié, Senouillac France

- Translaocation of the Virtual Reality, Galerie In Situ, Aalst, Belgium

- Ex-naturae, la Chapelle des Templiers, Metz, France

2004 - Aventures Virales, Galerie Mabel Semmler, Paris

- Real Time, Universal Concepts Unlimited Gallery, New York City

- After Virus, Galerie RLBQ, Marseille, France

- Viral Counter-Attack,Espace Landowski, Paris (with Music2eye)

- After Attack, Heart Galerie, Paris (with Music2eye)

2002 - Voluptuary : an algorithic hermaphornology, Universal Concepts Unlimited Gallery, New York City

2001 - SilicOn valley : nunciative mOdality and a viral redux, Galerie Karin Sachs, Munich

- Compliant 2.0 Libidinal Bodies in the Bit-stream (Enhanced Corpus Rotundum), Julia Friedman Gallery, Chicago

- Transformers (with Virus Projects 1.0 & 2.0) Moving Image Gallery, New York City

2000 -Es-satyricOn 2000,Universal Concepts Unlimited Gallery, New York City

1999 - Viral Beauty, Boston Cyber Arts, Boston

1997 - Das Neural Netz, (collaboratively with Mathias Groebel) Galerie Karin Sachs, Munich

1996 -Joseph Nechvatal Retrospective, Galerie Berndt, Köln (catalogue)

- Joseph Nechvatal & Steve Miller,Parsons Gallery, Paris

1995 - Alt.sex, (collaboratively with Mathias Groebel) Galerie In Situ, Aalst, Belgium

- Les Archons, Galerie Multimedia, Paris

- Angels, Broken Hearts and Computer Viruses, Galerie Karin Sachs, Munich

1994 -Computer Virus Project, Espace d'Art Yvonamor Palix, Paris (catalogue)

- Information Bruit Culture, Galerie Traje, Besançon, France

- Computer Virus Project, Galerie In Situ, Aalst, Belgium (catalogue)

1993 - Computer Virus Project, The Saline Royale, Arc-et-Senans, France (catalogue)

- The Destiny of Painting, Galerie Karin Sachs, Munich

1992 - Joseph Nechvatal, Galerie Antoine Candau, Paris

- Tombeaux, Brooke Alexander, New York, NY

1991 - Joseph Nechvatal, Shoshana Wayne Gallery, Santa Monica, CA

1990 - Joseph Nechvatal, Musee des Beaux Arts de Dole, France (CD Rom catalogue)

- Joseph Nechvatal, Brooke Alexander, New York, NY (catalogue)

- Joseph Nechvatal,Galerie Karin Sachs, Munich

- Joseph Nechvatal, Galerie Antoine Candau, Paris (catalogue)

1989 - Joseph Nechvatal,Gallery Fahl, Stockholm

- Joseph Nechvatal, Anders Tornberg Gallery, Lund (catalogue)

- Joseph Nechvatal, Shoshana Wayne Gallery, Santa Monica, CA

1988 - Joseph Nechvatal Computer-Robotic Paintings: 1986-1987, Illinois State University, Normal (catalogue)

- Joseph Nechvatal, De Selby Gallery, Amsterdam

- Joseph Nechvatal, Galerie Antoine Candau, Paris

1987 - Joseph Nechvatal, Brooke Alexander, New York, NY

- Joseph Nechvatal, NeuerAachenerKunstverein, Aachen

- Joseph Nechvatal, Gallery Engstrom, Stockholm

1986 - Joseph Nechvatal: Photographs,Greathouse, New York, NY

- Joseph Nechvatal, Anna Friebe Galerie, Cologne

- Joseph Nechvatal, Vanquard Gallery, Philadelphia

1985 - Joseph Nechvatal, Brooke Alexander, New York, NY

- Joseph Nechvatal, Anders Tornberg Gallery, Lund

- XS: An Installation, Gray Art Gallery, East Carolina Univerity, Greenville (catalogue)

1984 - Joseph Nechvatal, Brooke Alexander, New York, NY (catalogue)

- Joseph Nechvatal: Grace Under Pressure,Gallery Nature Morte, New York, NY

1983 - Joseph Nechvatal, Brooke Alexander, New York, NY

- Joseph Nechvatal, Semaphore Gallery, New York, NY

- Joseph Nechvatal, Spiritual America, New York, NY

1982 - Joseph Nechvatal, Real Art Ways, Hartford, Ct.

- Joseph Nechvatal: The Occult Power of Technology: Part II, The Kitchen, New York, NY

1981 - The Occult Power of Technology: Part I, P.S. #1, Long Island City, NY

1980 - Methadone Median, abandoned methadone center on west Canal Street, New York, NY

 


 

EXPOSITIONS COLLECTIVES :

2010 - Parallel Threads, School of Visual Arts Gallery, New York, NY

- Electronic work in the Collection Frank Popper, Centre d'Art Contemporain Frank Popper, Marcigny, France

2009 - Art Protects, Galerie Yvon Lambert, Paris

- Collection of Frank Popper, Centre d'Art Contemporain Frank Popper, Marcigny, France

- Redux, Wm Turner Gallery, Atlanta, Georgia, USA

- Colab Show, 100 Church Street, New York, City

2008 - Beaux Arts: French Contemporary, Wm Turner Gallery, Atlanta, Georgia

- Colab Reduxe, Brooke Alexander Gallery, New York, NY

- After The Net, Observatori, Valencia, Spain (catalogue: Observatori 2008: After The Future, p. 80)

- ECAM 2008, The National Center for the Arts, Mexico City, Mexico

- Continuous Current, Westside Gallery, New York, NY

2007 - The End(s) of Photography: Modeling the Photographic, McDonough Museum of Art, Youngstown, Ohio

- Insatiable Streams, Beijing BS1 Contempoary Art Center, Caochangdi, China

- iea: Ten Years of The Institute for Electronic Arts, BS1 Contemporary Art Center and Zero Field Art Center, Beijing, China

- Sound Art in a Limo,in cooperation with the Armory Art Fair, curator Holly Crawford, NYC

- AIDES,Yvon Lambert, Paris

2006 - The Downtown Show : The New York Art Scene 1974-1984, Grey Art Gallery. NYU, New York City

- Reshuffle,Center for Curatorial Studies Bard College, New York City

- Copilandia, Gratis, Sevilla, Spain

- The Downtown Show : The New York Art Scene 1974-1984, Andy Warhol Museum, Pittsburgh

- Numeripop, Viral Counter Attack (with music2eye) St Brieuc, France

- The Downtown Show : The New York Art Scene 1974-1984,Austin Museum of Art, Texas

- Honest Echo, 2 X 13 Gallery, New York City

- Computer Fine Art Collection of Doron Golan, [DAM] Ausstellungsräume des Digital Art Museum, Berlin

- Re:connect, Institute for Electronic Arts, Alfred, NY

2005 - ElectroScape Shanghai Zendai Museum of Modern Art, Shanghai

- 6eme carrefour de l'image de l'Océan Indien, Le Port. Ile de la Réunion

- Vintage East Village, Hal Bromm Gallery, New York

2004 - Digital Sublime :Gwangju Biennale MOCA Taipei (catalogue)

- reprotech, New York Academy of Science, New York City (catalogue)

- Hyper-Runt: Anxiety and Malformation in the Techno Womb, Inliquid, Philadelphia

- Art In Motion, University of Southern California School of Fine Arts, L.A.

- Touch and Temperature, Bitforms Gallery, New York City

- trans>, Participant Inc, New York City

- Viral Counter Attack, Art Metz. Foire européenne d'Art Contemporain. Image-Mouvement, Metz France (with music2eye)

- Digital Stories,[DAM] Ausstellungsräume des Digital Art Museum, Berlin

- Viral Counter Attack, Résidence à la Gaîté lyrique. Paris. France (with music2eye)

- East Village USA, New Museum, New York (catalogue)

- Touch and Temperature, Deborah Colton Gallery, Houston

- Viral Counter Attack, Festival Art-borescence 01 Paris. France (with music2eye)

- Viral Counter Attack, Galerie RLBQ. Festival RIAM01. Marseille. France (with music2eye)

2003 - Synthetic Lightings: Complex Simulations of Nature, Center for Photography, Woodstock, NY

- Polarities, The Wall Street Journal Lobby Gallery, New York City (catalogue)

- FuturNET, Rome

- NOTEBOOK, Artscape, Pinkard Gallery, Maryland Institute College of Art, Baltimore

- Peam2003, Pescara Italy (CD-Rom catalogue)

- THE SPIRITUAL IN DIGITAL ART, Evergreen Cultural Centre, Coquitlam, Canada

- Open For Action, The Center For Book Arts, New York, NY

2002 - Post-Flesh, University Gallery, California State University, Sacramento, CA

- media_city seoul 2002, Seoul Museum of Art, Seoul, South Korea (catalogue)

- Ornamente : 3 Positions of Conceptual Art, Galerie Berndt, Koln

- NIGHT VISION, Illinois State University, Normal, Illinois (catalogue)

- Contaminaction, Jeune Creation, Paris

- Reality Revisited, IN SITU, Aalst, Belgium (web catalogue http://www.eyewithwings.net/reality_revisited)

- Reality Revisited, Galerie Martin Kudlek, Koln, Germany (web catalogue)

- NIGHT VISION, White Columns, New York City (catalogue)

- SPLIT FESTIVAL, Split, Croatia

info@blah :: mining the data glut

2001 - LE PROJET VIRUS 2001, Mains D’Oeuvres, Paris

- Cin-o-matic: Memory and Cinematic Perception, T he New Museum, New York City

- The Collector, Universal Concepts Unlimited Gallery, New York City

- 1.44 Megs, Moving Image Gallery, New York City

- The Graphic Art Biennial, Györ, Hungary

2000 - R.E.D. Remote Experience Dependency, UCU Gallery, New York City

- Noise: The Digital and the Discrete,Whipple Museum of the History of Science, Cambridge (catalogue, with essay by Bruno Latour)

- The Perpetual Well, Samuel Harn Museum of Art, Gainesville, Florida

- The Perpetual Well, Parrish Art Museum, Southhampton, NY

- Rounders, UCU Gallery, New York City

- polyALTERITY, UMF Art Gallery, Farmington, Maine (catalogue)

1999 - Reflex: Matthias Groebel, Joseph Nechvatal & Endre Tót, Galerie Berndt, Koln

- Digital Hybrids, McDonough Museum of Art, Youngstown, Ohio (catalogue)

- The Techo-Digital Sublime, Central Fine Arts, New York City (web-site)

- MA(R)KING, Central Arts, Tuscon, curated by Elaine E. King (catalogue)

- Three Computer-related Artists, Galerie Berndt, Köln

- Links: Schilderkunst in Extremis? Kunstcentrum Sittard, Maastricht

- Diverse Dialogues, Aljira Center for Contemporary Art, Newark

- Old School, Life, New York City, curated by Carlo McCormick

1998 - Body Mécanique, Wexner Center, Columbus Ohio (catalogue)

- Thundergulch: Computer Arts Fellows, NYC Technology Center

- Chaos and Capacity, Central Fine Arts, Inc. NYC

1997 - Art Fractal, Gallerie Ricard, Paris (catalogue and web-site)

- Zoom (Fractal), Stae University of New York, NY, Purchase (catalogue)

1995 - BLAST Bioinformatica, Kolnischer Kunstverein, Koln (catalogue)

- BLAST, Galerie des Archives, Paris (catalogue)

- Veered Science, Huntington Beach Art Center, California (catalogue)

- In Corpus Machina, Espace d'Art, Paris

- BLAST Bioinfomatica, Javier Lopez Gallery, London

- Reinventing The Emblem, Yale University Art Gallery (catalogue)

- Die Schnheit Der Fraktale, Galerie Karin Sachs, Munich

- Transiti, Arx Art Gallery, Torino, Italy (catalogue)

- Art Fractal: été,Galerie Angle Art Contemporain, St. Paul-Tro Château

1994 - Excess in the Techno-Mediacratic Society, Shoshana Wayne Gallery, Santa Monica, Ca. (curated by Joseph Nechvatal) (catalogue)

- Art & Virus, Gallery Yaki Kornblit, Amsterdam (catalogue)

- Tohu-Bohu, Galerie de l' etoile, Paris (catalogue)

- Art & Virus, Galleria Del Ventaglio Contemporanea, Udine, Italy (catalogue)

- Lo Specchio di Proteo, Perugia, Alessandria, Italy (catalogue)

- Figures d'Origines, Chapelle Salpetriere, Paris (catalogue)

1993 - Computeruntersttzte Kunst, Kunstlerwerkstatt, Munich (catalogue)

- L'Opera Al Femminile, Galleria Arx, Torino

- Bodies, Atelier of Philip Pocock, Köln

- Excess in the Techno-Mediacratic Society, Musee D'Arbois, France (curated by Joseph Nechvatal) (catalogue)

- Excess in the Techno-Mediacratic Society,Galerie Krinzinger, Vienna (curated by Joseph Nechvatal)

- Erlebnis E Alterita, Galleria Marco Noire, Torino (catalogue)

- Hiding / Revealing, Galerie In Situ, Aalst

- La Fractalite Dans L'Art, Campus de La Doua, Villeurbanne (catalogue)

1993 - Mediale Hamburg (catalogue)

- Painting as Paradigm, Stark Gallery, New York, NY

- Procedures: Informatiques, Ecole Nationale Superieure des Beaux Arts, Paris

- Presentation, NeuerAachenerKunstverein, Aachen

1992 - Ecstasy, Dooley Le Cappellaine, New York, NY

- L'Epreuve Numerique, Centre National de la Photographie, Paris

- New York, NY Artists, Galerie Bernhard Steinmetz, Bonn

- 10th Anniversary Visiting Artists Exhibition, Ewing Gallery, University of Tennessee at Knoxville

- Representation, Reproduction and Photography, Usdan Gallery, Bennington College, Bennington, VT

1991 - Outside Ameirca: Going into the 90s, Fay Gold Gallery, Atlanta

1990 - 20th Anniversary Exhibition White Columns, New York, NY

- All Quiet on the Western Front, Galerie Antoine Candau, Paris (catalogue)

- Exchange of Information, New York, NY Telephone New York, NY

- Le Tableau des Riches Inventions, Picaron Editions, Amsterdam

- The Unique Print: 70s into 90s, Lois & Michael Torf Gallery, Museum of Fine Arts, Boston

1989 - Theater on Paper, The Drawing Center, New York, NY

- Once upon A Time There Was A Photograph, Barbara Gillman Gallery, Miami

- After Collapse: Rebuilding Expressive Media, State University, Amherst, Ma.

- Strange Attractors: Signs of Chaos, The New Museum of Contemporary Art, New York, NY (catalogue)

- Standplaats AKI, Akademie Voor Beeldende Kunst, Enschede, The Netherlands

- Moderne Kunst, Malmo Kunsthallen Brandts Klaedefabrik, Odense, Malmo Sweden

- Erotic America, (curated by Joseph Nechvatal) Galerie Antoine Candau, Paris (catalogue)

1988 - Art at the End of the Social, Rooseum, Malmo, Sweden (catalogue)

- New Visions of the Apocalypse, Museum of Art, Rhode Island School of Design, Providence (catalogue)

- New York, NY Now, Guthenberg Art Museum (traveled in Sweden and Finland) (catalogue)

- Perpetual Subversions, Bruno Facchetti, New York, NY

- Computer Assisted: The Computer in Contemporary Art Freedman Gallery, Albright College, Reading, Pa.

- Committed to Print, The Museum of Modern Art, New York, NY (catalogue)

1987 - Chemical Field, De Zaak, Groningen

- Digital Visions: Computers and Art, Everson Museum of Art, Syracuse (catalogue)

- Digital Visions: Computers and Art, IBM Gallery NYC (catalogue)

- New Coordinates, Simard, Halm and Shee Gallery, Los Angeles

- Documenta 8, Kassel Germany (catalogue)

1966-1986 - This is not a Photograph: Twenty Years of Large-Scale, Photography: The John & Mable Ringling Museum of Art, Sarasota, Fl. (catalogue)

- This is not a Photograph: Twenty Years of Large-Scale, Photography: Akron Art Museum, Ohio (catalogue)

- This is not a Photograph: Twenty Years of Large-Scale, Photography: The Chrysler Museum, Norfolk, Va. (catalogue)

1986 - Drawings from the Collection of Dorothy and Herbert Vogel, University of Arkansas at Little Rock

- Drawings from the Collection of Dorothy and Herbert Vogel, University of Alabama Moody Gallery of Art

- Drawings from the Collection of Dorothy and Herbert Vogel, Tuscaloosa Pennsylvania State University

- Drawings from the Collection of Dorothy and Herbert Vogel, Palmer Museum of Art, University Park

- Il Cangiante, Padiglione d'Arte Contemporanea, Milano

- Metabody, Hallwalls, Buffalo, NY (catalogue)

- Spiritual America, CEPA, Buffalo, NY

- Pay Attencion, Brandts Palchus Galleri, Copenhagen

- Drawings, Piezo Electric, New York, NY

- Time after Time, Diane Brown Gallery, New York, NY

- Face It, Anders Tornberg Gallery, Lund, Sweden

1985 - Infotainment,Texas Gallery, Houston (catalogue)

- Infotainment, Rhona Hoffman Gallery, Chicago (catalogue)

- Infotainment, Vanquard Gallery, Philadelphia (catalogue)

- Infotainment, Aspen Art Museum, Aspen Colo. (catalogue)

- Infotainment, De Selby Gallery, Amsterdam (catalogue)

- Infotainment, Galerie Montenay-Delsol, Paris (catalogue)

- Correspondences: New York, NY Art Now, Laforet Museum Harajuku, Tokyo (catalogue)

- Correspondences: New York, NY Art Now, Tochigi Prefectural Museum of Fine Arts, Utsunomiya

- Correspondences: New York, NY Art Now, Tagaki Hall Espace Media, Kobe (catalogue)

- Anniottanta Castel Sismondo, Palazzina Moster, Chiesa di Santa Maria ad Nives, Rimini

- Anniottanta Castel Sismondo, Galleria Comunale d'Arte Moderna, Bologna

Whitney Biennial: Group Material, The Whitney Museum of American Art, New York, NY

- Memento Mori, Moore College of Art Gallery, Philadelphia (catalogue)

1984 - Drawings, Paintings, and Sculpture, Brooke Alexander, New York, NY

- Smart Art: New Work from New York, NY, Carpenter Center for the Visual Arts, Harvard University, Cambridge, Ma. (catalogue)

- Disarming Images: Art for Nuclear Disarmament, Contemporary Arts Center, Cincinnati (catalogue) (travelled to ten institutions in the United States)

- Via Satellite, Amerika-Haus, Cologne (catalogue)

- Natural Genre, Fine Arts Gallery, School of Visual Arts, Florida State University (catalogue)

- The New Capital, White Columns, New York, NY

- Drawings by Contemporary Figurative Artists, Meyerhoff Gallery, Maryland Institute, College of Art, Baltimore (catalogue)

- Humanism: An Undercurrent, University of South Florida, Tampa

- Romance and Catastrophe, Piezo Electric, New York, NY

- Contemporary Perspectives, Center Gallery, Bucknell University, Lewisburg, Pa.

- Motives, Albright-Know Art Gallery, Buffalo, NY (catalogue)

- New York, NY New: 26 Artists, Studio di Corrado Levi, Milano (catalogue)

- Dessins, Gillespie-Laage-Salamin, Paris

1983 - New York, NY, Kunstmuseum, Aalborg (catalogue)

- New York, NY, Randers Kunstmuseum (catalogue)

- Contemporary Drawings, Barbara Krakow, Boston

- Four New York, NY Artists, Jack Tilton Gallery, New York, NY

- Rotating Group Show, Paula Cooper Gallery, New York, NY

- Speed Trials, White Columns, New York, NY

- Joseph Nechvatal / Not Vital / Robin Weglinski, Gallery Nature Morte, New York, NY

1982 - The Atomic Salon, Ronald Feldman Gallery, New York, NY

1981 - The Positive Show, ABC No Rio, New York, NY

- New Drawings, The Drawing Center, New York, NY (catalogue)

- The Doomsday Show, Artists Space, New York, NY

- The Monumental Art Show, Brooklyn, NY

- The Inauguration Show, ABC No Rio, New York, NY

1980- Colab : Collaborative Projects, Brooke Alexander, New York, NY

- Murder, Suicid &, Junk, ABC No Rio, New York, NY

- Artists for Survival, ABC No Rio,

- The Times Square Show, Times Square, New York, NY


 

EXPOSITIONS AUDIO :

2010- viral symphOny performed in its entirety on web radio SYN France from September 30 to October 7th three times a day.

2009- viral symphOny performed in its entirety at Diapason, Brooklyn, New York, Feb. 13th

- SoundLAB VI selected artist

web published at Soanyway: http://www.soanyway.org.uk/josephnechvatal.htm

2008 - viral symphOny chosen as prize winner at the 9th Festival Internacional de Investigación Artística de Valencia, After The Net, 5 – 29 June 2008, Valencia, Spain (catalogue: Observatori 2008: After The Future, p. 80)

(20:53) web published at UbuWeb http://www.ubu.com/sound/nechvatal.html

- viral symphOny, CD produced by the IEA label

2000 - venus©-vibrator, even, CD with electronic musical background generated by David Myers, produced by David Myers @ www.generatorsoundart.org

1988 - Tellus #20 Media Myth, Audio Cassette Magazine, curated by Joseph Nechvatal

1986 - Tellus #13 Power Electronics, Tellus Audio Cassette Magazine, curated by Joseph Nechvatal

- Babbling Tongues of Metamorphosis, audiocassette produced by Sound of Pig Music

1985 - True and False, audiocassette produced by XOX

- New York Radio Night, Joseph Nechvatal & Tron Von Hollywood, audiocassette produced by Sound of Pig Music, SOP 168

- German Future - European Plan, audiocassette produced by Sound of Pig Music, SOP 277

1984 - Reckless, audiocassette produced by Sound of Pig Music, SOP 217

- Purge (One Continuous Loop), audiocassette produced by Sound of Pig Music, SOP 273

1983 - Sleep, audio cassette produced by Sound of Pig Music SOP 140

 


 

INSTALLATIONS ET PERFORMANCES :

2010 - Viral symphOny: a-life live projection followed by viral cOncertO a musical collaboration with Rhys Chatham, Galerie Jean-Luc & Takako Richrad, Paris, September 26th

2002 - Victoria High Quality reads venus©-~Ñ~vibrator, even, Universal Concepts Unlimited, NYC

1991 - Dilation, performed by the ballerina Lauren Houser at the residence of Bil Ehrlich, New York, NY

1989 - The Man Who Believed He Could Move: A Celebration of the Bicentennial of the French Revolution, Collaboration with Yves Musard, Dia Art Foundation, New York, NY

1987 - Not a Door; A Spectacle, a collaboration between Scott B. Billingsley and Joseph Nechvatal, Hallwalls, Buffalo NY

1986 - XS: The Opera, a collaboration with with Rhys Chatham, Shakespeare Theatre, Boston

1985 - The End of the Night, a video collaboration with with Rhys Chatham, Los Angeles County Museum of Art

- XS: Night of Power, a collaboration with with Rhys Chatham, 8 BC, New York, NY

- XS: Night of Power, a collaboration with with Rhys Chatham, Quando, New York, NY

1984 - XS: The Opera Opus, a collaboration with with Rhys Chatham, Pyramid Club, New York, NY

- XS: The Opera Opus, a collaboration with with Rhys Chatham, Club Danceteria, New York, NY

- XS: The Opera Opus, a collaboration with with Rhys Chatham, 8 BC Club, New York, NY

- XS: The Opera Opus, a collaboration with with Rhys Chatham, Dannheisser Foundation, New York, NY

1983 - Isle of Dread, Lower Manhattan Cultural Council, 71 Broadway and 120 Broadway, New York, NY

- Future V Installation, 93 Prince Street, New York, NY

1982 - Blame it on the Brain Installation, Zippers Night Club, New York, NY

1981 - Contemporary Psychedelia Installation, Club Inroads, New York, NY

Free Speech on Broadway Performance, Performance with Carol Parkinson and Cid Collins, New York, NY

1978 - European Art/Performance, with Carol Parkinson and Cid Collins, Tour Centre of Experimental Theatre, Antwerp

- European Art/Performance, with Carol Parkinson and Cid Collins, Ecole d'Architecture , Tournai

- European Art/Performance, with Carol Parkinson and Cid Collins, Theatre on the Rijn, Arnhem, The Netherlands

 


 

PUBLICATIONS SELECTIONNEES PAR L’ARTISTE :

- Nechvatal, J. 2009. (book), Towards an Immersive Intelligence: Essays on the Work of Art in the Age of Computer Technology and Virtual Reality (1993-2006) Edgewise Press, New York, NY

- Nechvatal, J. 2006, Jean Baudrillard and a Counter-Mannerist Art of Latent Excess, International Journal of Baudrillard Studies, Volume 3, Number 2 (July 2006).

- Nechvatal, J. 2005, Immersive Excess in the Apse of Lascaux, Technoetic Arts 3:3, pp. 181-192

- Nechvatal, J. 2004, Origins of Virtualism: An Interview with Frank Popper Conducted by Joseph Nechvatal Spring 2004 issue of the CAA Art Journal pp. 62-77

- Nechvatal, J. 2004, Frank Popper and Virtualised Art, Winter 2004 tema celeste magazine: issue #101, pp. 48-53

- Nechvatal, J. 2003, Voluptuous Viractualism, in Simultaneita : New Media Arts Magazine, 01/2003, pp. 25-29

- Nechvatal, J. 2003. Joseph Nechvatal, CD-rom produced by Music2eye at the MFA Computer Art Dept. at the School of Visual Arts

- Nechvatal, J. 2002, Hotlist : The Esoteric Arts, Artforum Magazine

- Nechvatal, J. 2001, Towards an Immersive Intelligence in Leonardo 9th New York Digital Salon special issue

- Nechvatal, J. 2001, Artists and War : La beauté tragique: Mapping the Militarization of Spatial Cultural Consciousness in Leonardo 34.1 (2001) 27-29 and at:http://muse.jhu.edu/demo/len/34.1nechvatal.html#authbio

in _Film-Philosophy_, Deleuze Special Issue vol. 5 no. 36, November 2001 http://www.film-philosophy.com/vol5-2001/n36nechvatal

- Nechvatal, J. 2000. Viractualiy Interview by Colin Goldberg. http://www.everbeta.net/txt/110900txtjnint.htm

- Nechvatal, J. 2000. "Alterities: Interdisciplinarity and "Feminine" Practices of Space" at: http://www.mire.net/penelopes/pages/ntic/cyber/netchaval.htm

- Nechvatal, J. 1999. Introduction to “Immersive Ideals/Critical Distances : A Study of the Affinity Between Artistic Idealogies Based in Virtual Reality and Previous Immersive Idioms” http://www.insead.fr/calt/Encyclopedia/ComputerSciences/VR/vr.htm

- Nechvatal, J. 1999. Immersive Ideals/Critical Distances ; A Study of the Affinity Between Artistic Idealogies Based in Virtual Reality and Previous Immersive Idiom. Newport : University of Wales College (PhD Thesis)

- For a selection of art reviews written from 1993-2000 on other artists by Joseph Nechvatal - primarily for the web-site Rhizome http://www.zhizome.org - see: http://www.dom.de/arts/artists/jnech/ under the publications link

- Nechvatal, J. 1990a. Selected Writings. Paris: Editions Antoine Candau

- Nechvatal, J. 1991a. An Ecstasy of Excess. Mönchengladbach: Juni-Verlag

- Nechvatal, J. and Gagneur, D. eds. 1992. Excess in the Techno-mediacratic Society. Arbois: Musée d'Arbois

- Nechvatal, J. 1983. "Epic Images and Contemporary History" In Real Life Magazine, No.11/12, Winter, 1983

- Nechvatal, J. 1984. "Principles of Discord" In Unsound, Vol. 1, No. 2

- Nechvatal, J. 1985. "Holding Out the Promise for Pure Regression" In New Observations, No. 28

- Nechvatal, J. 1986. "State of the Art / Art of the State" In Spectacle, Fall Issue, 1986

- Nechvatal, J. 1987a. "High Style" In Arts Magazine, April Issue 1987

- Nechvatal, J. 1987b. "Post-Simulation Decadence" In Arts Magazine, Summer Issue, 1987

- Nechvatal, J. 1987c. "Theoretical Statement Concerning Computer Robotic Paintings" In Documenta 8 Catalogue, Vol. 3

- Nechvatal, J. 1987d. "A Prophylactic Discourse on Simulated Art" In Code, December Issue, 1987

- Nechvatal, J. 1987e. "Simulation and Sublimation: The Law is for All" In Unsound, Vol. 3, No. 1

- Nechvatal, J. 1988. "Reorganized Meditations on Mnemonic Threshold" In M/E/A/N/I/N/G Contemporary Art Issues, No. 4, November, 1988

- Nechvatal, J. 1989a. "Artistic Cynicism" In Art Criticism, Vol. 5, No. 3

- Nechvatal, J. 1989b. "Cal Arts Lecture: An Excerpt" In Lund Art Press, Vol. 2

- Nechvatal, J. 1989c. "Re-conceptualizing Drawing" In De Rijksakademie 08, pp. 12-13

- Nechvatal, J. 1990b. "Hyper-death and the Scopic Corpse. In Artforum, November Issue, 1990, p. 130

http://www.pd.org

- Nechvatal, J. 1990d. "Stealing from the Thief's Journal (Extraits traduits du Journal d'un Voleur)" Amsterdam: Picaron

- Nechvatal, J. 1991b. "An Ecstasy of Excess" In Nechvatal, J. 1991. An Ecstasy of Excess. Mönchengladbach: Juni-Verlag, pp. 3-7

- Nechvatal, J. 1991c. "The Artist and Familars" In Blast, Vol. 1, November /December, 1991

- Nechvatal, J. 1991d. "The Collapse of the 80's Image" In M/E/A/N/I/N/G Contemporary Art Issues, May Issue

- Nechvatal, J. 1992a. "Outrances dans la Societe Techno-mediacratic" In Nechvatal, J. and Gagneur, D. 1992. Excess in the Techno-mediacratic Society. Arbois: Musée d'Arbois, p. 1

- Nechvatal, J. 1992b. "Innovations in Image Technology" In M/E/A/N/I/N/G Contemporary Art Issues, No. 11, pp. 38-40

- Nechvatal, J. 1993a. "Introduction to The Art of Excess in the Techno-mediacratic Society" In New Observationss, No. 94

- Nechvatal, J. 1993b. "The Art of Excess in the Techno-mediacratic Society" In New Observations, No. 94

- Nechvatal, J. 1993c. "The Computer and Conceptual Painting" In Gruson, L. ed. 1993. Joseph Nechvatal: Computer Virus Project. Arc-et-Senans: Fondation Claude-Nicolas Ledoux, pp. 29-32

- Nechvatal, J. 1994. "New Territory of Significance" In New Observations, No. 104

- Nechvatal, J. 1997a. "Immersive Implications" In Ascott, R. ed. 1997. Consciousness Reframed: Conference Proceedings. Newport: CAiiA/University of Wales College

- Nechvatal, J. 1997b. "Sex/MachIne/Art: From Mechanical Repetition to Electronic Flicker" In Intelligent Agent: Interactive Media In Arts and Education Fall Issue, pp. 74-79

- Nechvatal, J. 1997c. "Computer Cynicism II" In Intelligent Agent: Interactive Media In Arts and Education Vo. 1, No. 12, pp. 155 and 165-166

- Nechvatal, J. 1997d. "Artists and Familiars" In Ke-thar'sis Summer Issue, pp. 3-7

- Nechvatal, J. 1997e. "Immersive Implications" In New Observations, No. 116, Fall 1997, pp.46-47

- Nechvatal, J. 1998. "Computer Cynicism" Perforations 13, http://www.pd.org/topos/perforations/perf13/compcyn.html

- Nechvatal, J., 1999a. "Frame and Excess" on Perforations 19, http://www.MacWeb3D.org/

- Nechvatal, J., 1999b. "Henri Michaux's Mescaline Engendered Drawings (and their viral diagrammatic relevance to war)" on Perforations 20, LAST STORIES http://http://www.pd.org/perforations/perf-topics.html

- Nechvatal, J., 2000a.“La beauté tragique: Mapping the Militarization of Spatial Cultural Consciousness”, Leonardo, Winter

- Nechvatal, J., 2000b. “Henri Michaux's Mescaline Engendered Drawings (and their diagrammatic relevance to RHIZOME's "STARRYNIGHT" programming)”. Zing Magazine, Winter Edition

 


 

BIBLIOGRAPHIE :

2010 - Manuela de Barros, Noisy Viral Threat : Joseph Nechvatal: Review of Art rétinal revisité: histoire de l’oeil Published in Digitalarti Mag #4 October 2010

2009 - Edward A. Shanken, Art and Electronic Media. London: Phaidon, pp. 42, 285, 160

- Corrado Levi, È andata così: Cronaca e critica dell'arte 1970-2008, Joseph Nechvatal intervistato nel suo studio a New York (1985-86), pp. 130-135

2008 - Marie-Paule Nègre, Des artistes en leur monde, volume 2, la Gazette de l'Hotel Drout, pp. 82–83

- John Johnston, The Allure of Machinic Life: Cybernetics, Artificial Life, and the New AI, MIT Press, cover

- The Dorothy and Herbert Vogel Collection: Fifty Works for Fifty States, National Gallery of Art, pp. 191 & 227

2007 - Ebon Fisher, Wigglism, Leonardo, Vol. 40, Number I, p 40, color image p. 43

- Dominique Moulon, Conférence Report : Media Art in France, Un Point d'Actu, L'Art Numerique, pp. 124–125

2006 - Frank Popper, From Technological to Virtual Art, MIT Press, pp. 120-123

- Bruce Wands, Art in the Digital Age, Thames & Hudson Ltd, p. 65

- Brandon Taylor, Collage, Thames & Hudson Ltd, p. 221

- Donald Kuspit, Arte Digital y Videoarte, Circulo de Bellas Artes Madrid, p. 33-35, color illustrations 2,3&4

- Maximillien de Lafayette,United States and the World Face to Face: America's Best and Worst

2005 - Joline Blais & Jon Ippolito, The Edge of Art,Thames & Hudson Ltd, p. 213

- Mario Costa, Phenomenology of New Tech Arts, Artmedia, Salerno, p. 6 & pp. 36 – 38

- Ken Reingold, Interactive Electronics for Artists and Inventors

- Donald Kuspit, The Matrix of Sensations, artnet web magazine,

http://www.artnet.com/magazineus/features/kuspit/kuspit8-5-05.asp

2004 - Christine Buci-Glucksmann, L’art à l’époque virtuel, in Frontières esthétiques de l’art, Arts 8, Paris: L’Harmattan

- Henri-François Debailleux, Peinture. Les travaux de Joseph Nechvatal exposés à Paris, 27 octobre 2004, Liberation

- Brandon Taylor on Joseph Nechvatal in the book Collage, Thames & Hudson Ltd, p. 221

- Dominique Moulon, L'art numerique: spectateur-acteuret vie artificielle, Les images numeriques #47-48, pp. 124–125

- John Reed “Joseph Nechvatal” Artforum Web 3-2004 Critc’s Picks

- Alan Liu on Joseph Nechvatal in the book The Laws of Cool, Chicago Press, pp. 331-336 & 485-486

- Évelyne Rogue “Interview with Joseph Nechvatal” artcogitans.com

- Évelyne Rogue “Monographie sur CD de Joseph Nechvatal” http://www.artcogitans.com/Fr./Actus/E.Rogue.CD.J.Nechvatal.doc.pdf

- Suzanne Anker on Joseph Nechvatal in “reprotech” catalogue

2003 - Joe Lewis “vOluptuary: an algorithmic hermaphornology” March issue Art in America

- Christiane Paul on Joseph Nechvatal in Digital Art (Thames & Hudson) 2003, pp. 57-58

- Rachel Greene on Joseph Nechvatal March 26th www.rhizome.org

- David M. Roth ‘Postfesh’ Artweek April 2003

- Sarah Maline on Joseph Nechvatal in “ polyALTERITY” UMF catalogue

2002 - Robert C. Morgan “vOluptuary: an algorithic hermaphornology” Tema Celeste Magazine #93 (page 94) Fall

- Ken Johnson on Joseph Nechvatal, New York Times

- Barbara Weidle “Computer paintings” artnet.com

2001 - Nanette Wylde Regarding a Digital Aesthetic: Speculation in Context

- Kevin Haas on Joseph Nechvatal at http://www.accumulated.org/sgc.html

- Margot Lovejoy on Joseph Nechvatal in "Postmodern Currents: Art and Artists in the Age of Electronic Media", Prentice Hall Press

- Ellen Levy on Joseph Nechvatal in “Responses”, Art Journal Spring 2001

2000 - Robert C. Morgan. “Joseph Nechvatal at Universal Concepts Unlimited “,NY Arts Magazine, December Issue, p.69

- David Ebony, “Joseph Nechvatal at Universal Concepts Unlimited”, Artnet Magazine - http://www.artnet.com/Magazine/reviews/ebony/ebony(3)11-22-00.asp

- Joy Garnett, “Newsgrist's Top 3: Nechvatal, Held, Ritchie”, Newsgrist, Volume 1, no. 51 (2000)

- Robert C. Morgan, “Digital Hybrids”, pp. 75-76, in Art Press #255 (March)

1999 - John Johnston, "Machinic Vision", p.39, in Critical Inquiry, Vol. 26, No. 1

- Richard Krueger, Digital Hybrids Catalogue, p. 5,Youngstown

- Paul D. Miller, The Techno-Digita Sublime, Artbyte, Sept/Oct

1996 - Wayne Enstice & Melody Peters, Drawing: Space, Form, & Expression, New Jersy: Prentice Hall, pp.312-313

- Jay Murphy, "Joseph Nechvatal", Galeries Magazine

- staff, "Bilder Zwischen Kulturwert und Schaulust" Kunstmarket Koln

- staff, "Joseph Nechvatal: Computervirussen", Aalst Press

1995 - staff, "Art Enters The Digital Age", Art News, Sept/Oct

- staff, "Joseph Nechvatal's Virus Developement", Cause Toujours #2, Mai

- staff, "Joseph Nechvatal", CD-Media, Juin

- Cécile Ambert, "Virus Project", Nov Art, Juin,

- Annick Hémery, Le Clone Du Trim, Joseph Nechvatal, Clone Mai,

- staff. "Joseph Nechvatal", Liberation (March 24)

- Picard, Gilles-Francois "Les Mysteres de l'art Fractal", La Gazette No II (17 Mars)

1994 - staff. "Computer Virus Project", Bomb (Winter)

- staff, "Joseph Nechvatal", Gazet Van Antwerpen

- staff, "Joseph Nechvatal; Computerbilder", Kunst Munich

- Annik Hémery, “Joseph Nechvatal sur les traces de Pasteur” http://www.imaginet.fr/clone/nechvat.htm

1993 - Morgan, Robert C. “Nechvatal’s Visionary Computer Virus” In Gruson, L. ed. 1993. Joseph Nechvatal: Computer Virus Project. Arc-et-Senans: Fondation Claude-Nicolas Ledoux, pp. 8-15

- staff. "Digital Diseases", Details (November)

- staff. "Joseph Nechvatal, l'art sur ordinateur", Le Progress (August)

- Conde, Susan "La Fractalite dans l'Art" (June)

- Morgan, Robert C. "Joseph Nechvatal: Lamentations of the Soul" After the Deluge

- Pagel, David "Techno Domination", Los Angeles Times (September)

- Gruson, L. “A Case of Contamination” In Gruson, L. ed. 1993. Joseph Nechvatal: Computer Virus Project. Arc-et-Senans: Fondation Claude-Nicolas Ledoux, pp. 6-7

1992 - Andre, Michael "Joseph Nechvatal", Cover (April)

- Hagen, Charles "A Show of Five Artists Who Use the Look of Photo Reproduction", The New York, NY Times (May 18)

- Pocock, Philip "Interview with Joseph Nechvatal", Journal of Contemporary Art (Fall)

1991 - Crockett, Tobey "I, Robot", Village View (March 1-7)

- Frank, Peter "Art Pick of the Week", LA Weekly (March 22-28)

- Mennetrier, J.L. "Joseph Nechvatal nouveau ' locataire' de la residence d'artiste", La Voit du Jura (September)

- Tonkinson, Carole "Footloose", Elle Magazine (May)

1990 - Amine, Patrick "Joseph Nechvatal, Galerie Antoine Candau", Art Press

- Borum, Jenifer P. "Joseph Nechvatal", Artforum (October)

- Cyphers, Peggy "Joseph Nechvatal", Arts (September)

- Engelhorn, Patrizia "Landspace of Points", Prinz Magazine (November)

- Groome, Carle VP. "Ex Statis by Joseph Nechvatal", Ear (October)

- Pallentin, Christian "Kunst", Siam (December)

- Steinlechner, Carin "Joseph Nechvatal", Donnerstag (October)

1989 - staff "Joseph Nechvatal", Los Angeles Times (March 10)

- Collins,Tricia & Milazzo, Richard "Hyperframes: A Post-Appropriation Discourse", Vol 1

- Ehinger, Asa "Joseph malar med dator", Sydsvenskan, Lund

- Frank, Peter "Pick of the Week", LA Weekly (April 7-13)

- French, David "Joseph Nechvatal", Artscene (March)

- Geer, Suvan "Joseph Nechvatal", L. A. Times, (December 15)

- Lovejoy, Margot "Postmodern Currents : Art and Artists in the Age of Electronic Media", UMI Research

- Kandel, Susan "Joseph Nechvatal", Arts (Summer)

- Marks, Ben "A Technology Under Control", Artweek (March)

1988 - Bromberg, Craig "The Collaborative Itch", ArtNews (November)

- McCormick, Carlo "Joseph Nechvatal", Artforum (March)

- Miller, John "Joseph Nechvatal", Artscribe (Summer)

- Morgan, Robert C. "Joseph Nechvatal", Arts (March)

- Sem-Sandberg, Steve "Vart Visuella Kaos" (Our Visual Chaos) Svenska Dagladet (December 2)

- Smith, Lawrence R.- and Hagley, Doug "An Interview with Joseph Nechvatal", Caliban 5

- Zellen, Jody "Joseph Nechvatal at Shoshana Wayne", Art Issues (Summer)

1987 - Hoog, Eckhard "Im Dschungel der Bilder Joseph Nechvatal im Aachener

- Kunstverein", Aachener Volkszeitung (May 22)

- Levi, Corrado "Joseph Nechvatal", Cover (February)

- Lottmann, Joachim "Documenta-Eindr¸cke von der Erˆffnung" Wolkenkratzer Art Journal (summer)

- Malsch, Friedemann "Joseph Nechvatal Galerie Anna Friebe" Kunstforum (January)

- Siffrin-Peters, Annette "Gewirr aus feinen Linien. Documenta-Teilnehmer

- Joseph Nechvatal vorab in Aachen zu sehen, Aachener Nachrichten (May 22)

1986 - Collins, Tricia and Milazzo, Richard "New York, NY: Tropical Codes", Kunstforum (March)

- Collins, Tricia and Milazzo, Richard "Joseph Nechvatal: Grace Under Pressure", Differentia (Fall)

- McCormick, Carlo " Joseph Nechvatal", Unsound Magazine (Vol.3 No.1)

- Larson, Kay "The Flash of Truth", New York, NY Magazine" (October 27)

- Levin, Kim "Artwalk", Village Voice (October 21)

- Levin, Kim "Joseph Nechvatal" The Village Voice (October 14)

- Morlung, Ursula "Pollock als Vorbild: Joseph Nechvatal in der Galerie Anna Friebe", Külner Stadt (October 24)

- Raab, Jörgen "Humanisierung der Technik: Joseph Nechvatal bei Anna Friebe", Külner Illustrierte (November)

1985 - Collins, Tricia and Milazzo, Richard "The New Sleep: Stasis and the Image-Bound Environment", Art Journal (Fall)

- Crary, Jonathan "Joseph Nechvatal at Brooke Alexander",Art in America (January)

- Moore, Alan and Miler, Marc "ABC No Rio Dinero: The Story of a Lower East Side Art Gallery", Published by ABC No Rio with Collaborative Projects Inc. New York, NY

- Pincus-Witten, Robert "The New Irascibles", Arts (September)

- Raynor, Vivian "Joseph Nechvatal", The New York, NY Times (October 18)

1984 - Brooks, Rosetta "Interview-Rhys Chatham & Joseph Nechvatal", ZG, (#12 Fall)

- Cotter, Holland "Joseph Nechvatal", Arts (November)

- Deak, Edit "The Critic Sees through the Cabbage Patch", Artforum, (April)

- Fisher, Jean "Joseph Nechvatal", Artforum, (January)

- Glueck, Grace "Joseph Nechvatal", The New York, NY Times (September 21)

- Jones, Ronald "Joseph Nechvatal", Arts (December)

- Kleyn, Robert "The Shadow Reflected", ZG (#12 Fall)

- Kleyn, Robert "Protective Mimicry", Vanquard (March)

- Kuspit, Donald "Joseph Nechvatal", Artforum (December)

- Masheck, Joseph Smart Art, Published by Willis, Locker & Owens, New York, NY

- Robinson, Walter and McCormick, Carlo "Slouching Toward Avenue D", Art in America (Summer)

1983 - Fine, Kimberly "Joseph Nechvatal East Village Eye (October15)

- Levin, Kim " Shock of the Old", Village Voice (September 27)

- Levin, Kim "Joseph Nechvatal / Not Vital / Robin Weglinski", The Village Voice (May 17)

- McCormick, Carlo "Joseph Nechvatal", New York, NY Beat (December)

1982 - Lawson, Thomas "Joseph Nechvatal (The Kitchen)", Artforum (April)

- Raynor, Vivian "The Automatic Salon", The New York, NY Times (June 18)

- Russell, John "Inaugural Show-Jack Tilton Gallery", The New York, NY Times (October 7)

 

COLLECTIONS PUBLIQUES :

- The Museum of Modern Art, New York, NY, USA

- Los Angeles County Museum of Art; Los Angeles, USA

- Museum of Contemporary Art, Los Angeles, USA

- Israel Museum, Jerusalem, Israel

- The Schyl Foundation, Malmo Konsthall, Sweden

- The Jewish Museum, New York, NY, USA

- Moderna Muset, Stockholm, Sweden

- New Mexico Museum of Art, Museum of New Mexico, Santee Fe, New Mexico, USA

- Albright-Knox Art Gallery, Buffalo, New York, USA

- Musee Leon Dierx, La Reunion, France

- Frac Franche-Comte, France

- Museum of Art, Rhode Island School of Design, Providence, Rhode Island, USA

- Saline Royale, Arc-et-Senans, France

- Saint Louis Art Museum, St. Louis, Missouri, USA

- Musée de Dole, Dole, France

- Portland Museum of Art, Portland, Maine, USA

- Rose Goldsen Archive of New Media Art at Cornell University, Ithaca, NY, USA

- Pennsylvania Academy of Fine Arts, Philadelphia, Pennsylvania, USA

- Weatherspoon Art Gallery, University of North Carolina, Greensboro, USA

- The Municipal Museum of Art, Györ, Hungary

- Robert Shiffler Foundation, Greenville Ohio, USA

- The Minneapolis Institute of Arts, Minneapolis, USA

- Malmö Konsthall, Sweden

- University of Michigan Museum of Art, Ann Arbor, Michigan, USA

- University of Alaska Museum of the North, Fairbanks, Alaska, USA

- Honolulu Academy of Arts, Honolulu, Hawaii, USA

- Cedar Rapids Museum of Art, Cedar Rapids, Iowa, USA

- Spencer Museum of Art, The University of Kansas, Lawrence, Kansas, USA

- Portland Museum of Art, Portland, Maine, USA

- Academy Art Museum, Easton, Maryland, USA

- Frederick R. Weisman Art Museum, University of Minnesota, Minneapolis, Minnesota, USA

- Columbia Museum of Art, Columbia, South Carolina, USA

- South Dakota Art Museum, South Dakota State University, Brookings, South Dakota, USA (image reproduced in The Dorothy and Herbert Vogel Collection: Fifty Works for Fifty States, National Gallery of Art, 2008, p. 191)

- Memphis Brooks Museum of Art, Memphis, Tennessee, USA

- Blanton Museum of Art, University of Texas at Austin, Austin, Texas, USA

- Nora Eccles Harrison Museum of Art, Utah State University, Logan, Utah, USA

- Robert Hull Fleming Museum, University of Vermont, Burlington, Vermont, USA

- Mississippi Museum of Art, Jackson, Mississippi, USA

- Yellowstone Art Museum, Billings, Montana, USA

- Las Vegas Art Museum, Las Vegas, Nevada, USA

- Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, USA

- Plains Art Museum, Fargo, North Dakota, USA

- Akron Art Museum, Akron, Ohio, USA

- Oklahoma City Museum of Art, Oklahoma City, Oklahoma, USA

- University of Wyoming Art Museum, Laramie, Wyoming, USA (image reproduced in The Dorothy and Herbert Vogel Collection: Fifty Works for Fifty States, National Gallery of Art, 2008, p. 227

2000 - R.E.D. - Remote Experience Dependency, UCU Gallery, New York City

- Noise: The Digital and the Discrete,Whipple Museum of the History of Science, Cambridge (catalogue, with essay by Bruno Latour)

- The Perpetual Well, Samuel Harn Museum of Art, Gainesville, Florida

- The Perpetual Well, Parrish Art Museum, Southhampton, NY

- Rounders, UCU Gallery, New York City

- polyALTERITY, UMF Art Gallery, Farmington, Maine (catalogue)

1999 - Reflex: Matthias Groebel, Joseph Nechvatal & Endre Tót, Galerie Berndt, Koln

- Digital Hybrids, McDonough Museum of Art, Youngstown, Ohio (catalogue)

- The Techo-Digital Sublime, Central Fine Arts, New York City (web-site)

- MA(R)KING, Central Arts, Tuscon, curated by Elaine E. King (catalogue)

- Three Computer-related Artists, Galerie Berndt, Köln

- Links: Schilderkunst in Extremis? Kunstcentrum Sittard, Maastricht

- Diverse Dialogues, Aljira Center for Contemporary Art, Newark

- Old School, Life, New York City, curated by Carlo McCormick

1998 - Body Mécanique, Wexner Center, Columbus Ohio (catalogue)

- Thundergulch: Computer Arts Fellows, NYC Technology Center

- Chaos and Capacity, Central Fine Arts, Inc. NYC

1997 - Art Fractal, Gallerie Ricard, Paris (catalogue and web-site)

- Zoom (Fractal), Stae University of New York, NY, Purchase (catalogue)

1995 - BLAST Bioinformatica, Kolnischer Kunstverein, Koln (catalogue)

- BLAST, Galerie des Archives, Paris (catalogue)

- Veered Science, Huntington Beach Art Center, California (catalogue)

- In Corpus Machina, Espace d'Art, Paris

- BLAST Bioinfomatica, Javier Lopez Gallery, London

- Reinventing The Emblem, Yale University Art Gallery (catalogue)

- Die Schnheit Der Fraktale, Galerie Karin Sachs, Munich

- Transiti, Arx Art Gallery, Torino, Italy (catalogue)

- Art Fractal: été,Galerie Angle Art Contemporain, St. Paul-Tro Château

1994 - Excess in the Techno-Mediacratic Society, Shoshana Wayne Gallery, Santa Monica, Ca. (curated by Joseph Nechvatal) (catalogue)

- Art & Virus, Gallery Yaki Kornblit, Amsterdam (catalogue)

- Tohu-Bohu, Galerie de l' etoile, Paris (catalogue)

- Art & Virus, Galleria Del Ventaglio Contemporanea, Udine, Italy (catalogue)

- Lo Specchio di Proteo, Perugia, Alessandria, Italy (catalogue)

- Figures d'Origines, Chapelle Salpetriere, Paris (catalogue)

1993 - Computeruntersttzte Kunst, Kunstlerwerkstatt, Munich (catalogue)

- L'Opera Al Femminile, Galleria Arx, Torino

- Bodies, Atelier of Philip Pocock, Köln

- Excess in the Techno-Mediacratic Society, Musee D'Arbois, France (curated by Joseph Nechvatal) (catalogue)

- Excess in the Techno-Mediacratic Society,Galerie Krinzinger, Vienna (curated by Joseph Nechvatal)

- Erlebnis E Alterita, Galleria Marco Noire, Torino (catalogue)

- Hiding / Revealing, Galerie In Situ, Aalst

- La Fractalite Dans L'Art, Campus de La Doua, Villeurbanne (catalogue)

- Mediale Hamburg (catalogue)

- Painting as Paradigm, Stark Gallery, New York, NY

- Procedures: Informatiques, Ecole Nationale Superieure des Beaux Arts, Paris

- Presentation, NeuerAachenerKunstverein, Aachen

1992 - Ecstasy, Dooley Le Cappellaine, New York, NY

- L'Epreuve Numerique, Centre National de la Photographie, Paris

- New York, NY Artists, Galerie Bernhard Steinmetz, Bonn

- 10th Anniversary Visiting Artists Exhibition, Ewing Gallery, University of Tennessee at Knoxville

- Representation, Reproduction and Photography, Usdan Gallery, Bennington College, Bennington, VT

1991 - Outside Ameirca: Going into the 90s, Fay Gold Gallery, Atlanta

1990 - 20th Anniversary Exhibition White Columns, New York, NY

- All Quiet on the Western Front, Galerie Antoine Candau, Paris (catalogue)

- Exchange of Information, New York, NY Telephone New York, NY

- Le Tableau des Riches Inventions, Picaron Editions, Amsterdam

- The Unique Print: 70s into 90s, Lois & Michael Torf Gallery, Museum of Fine Arts, Boston

1989 - Theater on Paper, The Drawing Center, New York, NY

- Once upon A Time There Was A Photograph, Barbara Gillman Gallery, Miami

- After Collapse: Rebuilding Expressive Media, State University, Amherst, Ma.

- Strange Attractors: Signs of Chaos, The New Museum of Contemporary Art, New York, NY (catalogue)

- Standplaats AKI, Akademie Voor Beeldende Kunst, Enschede, The Netherlands

- Moderne Kunst, Malmo Kunsthallen Brandts Klaedefabrik, Odense, Malmo Sweden

- Erotic America, (curated by Joseph Nechvatal) Galerie Antoine Candau, Paris (catalogue)

1988 - Art at the End of the Social, Rooseum, Malmo, Sweden (catalogue)

- New Visions of the Apocalypse, Museum of Art, Rhode Island School of Design, Providence (catalogue)

- New York, NY Now, Guthenberg Art Museum (traveled in Sweden and Finland) (catalogue)

- Perpetual Subversions, Bruno Facchetti, New York, NY

- Computer Assisted: The Computer in Contemporary Art Freedman Gallery, Albright College, Reading, Pa.

- Committed to Print, The Museum of Modern Art, New York, NY (catalogue)

1987 - Chemical Field, De Zaak, Groningen

- Digital Visions: Computers and Art, Everson Museum of Art, Syracuse (catalogue)

- Digital Visions: Computers and Art, IBM Gallery NYC (catalogue)

- New Coordinates, Simard, Halm and Shee Gallery, Los Angeles

1987 - Documenta 8, Kassel Germany (catalogue)

- This is not a Photograph: Twenty Years of Large-Scale, Photography: 1966-1986, The John & Mable Ringling Museum of Art, Sarasota, Fl. (catalogue)

- This is not a Photograph: Twenty Years of Large-Scale, Photography: 1966-1986, Akron Art Museum, Ohio (catalogue)

- This is not a Photograph: Twenty Years of Large-Scale, Photography: 1966-1986, The Chrysler Museum, Norfolk, Va. (catalogue)

1986 - Drawings from the Collection of Dorothy and Herbert Vogel, University of Arkansas at Little Rock

- Drawings from the Collection of Dorothy and Herbert Vogel, University of Alabama Moody Gallery of Art

- Drawings from the Collection of Dorothy and Herbert Vogel, Tuscaloosa Pennsylvania State University

- Drawings from the Collection of Dorothy and Herbert Vogel, Palmer Museum of Art, University Park

- Il Cangiante, Padiglione d'Arte Contemporanea, Milano

- Metabody, Hallwalls, Buffalo, NY (catalogue)

- Spiritual America, CEPA, Buffalo, NY

- Pay Attencion, Brandts Palchus Galleri, Copenhagen

- Drawings, Piezo Electric, New York, NY

- Time after Time, Diane Brown Gallery, New York, NY

- Face It, Anders Tornberg Gallery, Lund, Sweden

1985 - Infotainment,Texas Gallery, Houston (catalogue)

- Infotainment, Rhona Hoffman Gallery, Chicago (catalogue)

- Infotainment, Vanquard Gallery, Philadelphia (catalogue)

- Infotainment, Aspen Art Museum, Aspen Colo. (catalogue)

- Infotainment, De Selby Gallery, Amsterdam (catalogue)

- Infotainment, Galerie Montenay-Delsol, Paris (catalogue)

- Correspondences: New York, NY Art Now, Laforet Museum Harajuku, Tokyo (catalogue)

- Correspondences: New York, NY Art Now, Tochigi Prefectural Museum of Fine Arts, Utsunomiya

- Correspondences: New York, NY Art Now, Tagaki Hall Espace Media, Kobe (catalogue)

- Anniottanta Castel Sismondo, Palazzina Moster, Chiesa di Santa Maria ad Nives, Rimini

- Anniottanta Castel Sismondo, Galleria Comunale d'Arte Moderna, Bologna

- Whitney Biennial: Group Material, The Whitney Museum of American Art, New York, NY

- Memento Mori, Moore College of Art Gallery, Philadelphia (catalogue)

1984 - Drawings, Paintings, and Sculpture, Brooke Alexander, New York, NY

- Smart Art: New Work from New York, NY, Carpenter Center for the Visual Arts, Harvard University, Cambridge, Ma. (catalogue)

- Disarming Images: Art for Nuclear Disarmament, Contemporary Arts Center, Cincinnati (catalogue) (travelled to ten institutions in the United States)

- Via Satellite, Amerika-Haus, Cologne (catalogue)

- Natural Genre, Fine Arts Gallery, School of Visual Arts, Florida State University (catalogue)

- The New Capital, White Columns, New York, NY

- Drawings by Contemporary Figurative Artists, Meyerhoff Gallery, Maryland Institute, College of Art, Baltimore (catalogue)

- Humanism: An Undercurrent, University of South Florida, Tampa

- Romance and Catastrophe, Piezo Electric, New York, NY

- Contemporary Perspectives, Center Gallery, Bucknell University, Lewisburg, Pa.

- Motives, Albright-Know Art Gallery, Buffalo, NY (catalogue)

- New York, NY New: 26 Artists, Studio di Corrado Levi, Milano (catalogue)

- Dessins, Gillespie-Laage-Salamin, Paris

1983 - New York, NY, Kunstmuseum, Aalborg (catalogue)

- New York, NY, Randers Kunstmuseum (catalogue)

- Contemporary Drawings, Barbara Krakow, Boston

- Four New York, NY Artists, Jack Tilton Gallery, New York, NY

- Rotating Group Show, Paula Cooper Gallery, New York, NY

- Speed Trials, White Columns, New York, NY

- Joseph Nechvatal / Not Vital / Robin Weglinski, Gallery Nature Morte, New York, NY

1982 - The Atomic Salon, Ronald Feldman Gallery, New York, NY

1981 - The Positive Show, ABC No Rio, New York, NY

- New Drawings, The Drawing Center, New York, NY (catalogue)

- The Doomsday Show, Artists Space, New York, NY

- The Monumental Art Show, Brooklyn, NY

- The Inauguration Show, ABC No Rio, New York, NY

1980 - Colab : Collaborative Projects, Brooke Alexander, New York, NY

- Murder, Suicid &, Junk, ABC No Rio, New York, NY

- Artists for Survival, ABC No Rio,

- The Times Square Show, Times Square, New York, NY