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Art-Nechvatal
RECOMPENSES
EXPOSITIONS PERSONNELLES
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EXPOSITIONS AUDIO
INSTALLATIONS ET PERFORMANCES
PUBLICATIONS SELECTIONNEES PAR L’ARTISTE
BIBLIOGRAPHIE
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BIBLIOGRAPHIE :

2010 - Manuela de Barros, Noisy Viral Threat : Joseph Nechvatal: Review of Art rétinal revisité: histoire de l’oeil Published in Digitalarti Mag #4 October 2010

2009 - Edward A. Shanken, Art and Electronic Media. London: Phaidon, pp. 42, 285, 160

- Corrado Levi, È andata così: Cronaca e critica dell'arte 1970-2008, Joseph Nechvatal intervistato nel suo studio a New York (1985-86), pp. 130-135

2008 - Marie-Paule Nègre, Des artistes en leur monde, volume 2, la Gazette de l'Hotel Drout, pp. 82–83

- John Johnston, The Allure of Machinic Life: Cybernetics, Artificial Life, and the New AI, MIT Press, cover

- The Dorothy and Herbert Vogel Collection: Fifty Works for Fifty States, National Gallery of Art, pp. 191 & 227

2007 - Ebon Fisher, Wigglism, Leonardo, Vol. 40, Number I, p 40, color image p. 43

- Dominique Moulon, Conférence Report : Media Art in France, Un Point d'Actu, L'Art Numerique, pp. 124–125

2006 - Frank Popper, From Technological to Virtual Art, MIT Press, pp. 120-123

- Bruce Wands, Art in the Digital Age, Thames & Hudson Ltd, p. 65

- Brandon Taylor, Collage, Thames & Hudson Ltd, p. 221

- Donald Kuspit, Arte Digital y Videoarte, Circulo de Bellas Artes Madrid, p. 33-35, color illustrations 2,3&4

- Maximillien de Lafayette,United States and the World Face to Face: America's Best and Worst

2005 - Joline Blais & Jon Ippolito, The Edge of Art,Thames & Hudson Ltd, p. 213

- Mario Costa, Phenomenology of New Tech Arts, Artmedia, Salerno, p. 6 & pp. 36 – 38

- Ken Reingold, Interactive Electronics for Artists and Inventors

- Donald Kuspit, The Matrix of Sensations, artnet web magazine,

http://www.artnet.com/magazineus/features/kuspit/kuspit8-5-05.asp

2004 - Christine Buci-Glucksmann, L’art à l’époque virtuel, in Frontières esthétiques de l’art, Arts 8, Paris: L’Harmattan

- Henri-François Debailleux, Peinture. Les travaux de Joseph Nechvatal exposés à Paris, 27 octobre 2004, Liberation

- Brandon Taylor on Joseph Nechvatal in the book Collage, Thames & Hudson Ltd, p. 221

- Dominique Moulon, L'art numerique: spectateur-acteuret vie artificielle, Les images numeriques #47-48, pp. 124–125

- John Reed “Joseph Nechvatal” Artforum Web 3-2004 Critc’s Picks

- Alan Liu on Joseph Nechvatal in the book The Laws of Cool, Chicago Press, pp. 331-336 & 485-486

- Évelyne Rogue “Interview with Joseph Nechvatal” artcogitans.com

- Évelyne Rogue “Monographie sur CD de Joseph Nechvatal” http://www.artcogitans.com/Fr./Actus/E.Rogue.CD.J.Nechvatal.doc.pdf

- Suzanne Anker on Joseph Nechvatal in “reprotech” catalogue

2003 - Joe Lewis “vOluptuary: an algorithmic hermaphornology” March issue Art in America

- Christiane Paul on Joseph Nechvatal in Digital Art (Thames & Hudson) 2003, pp. 57-58

- Rachel Greene on Joseph Nechvatal March 26th www.rhizome.org

- David M. Roth ‘Postfesh’ Artweek April 2003

- Sarah Maline on Joseph Nechvatal in “ polyALTERITY” UMF catalogue

2002 - Robert C. Morgan “vOluptuary: an algorithic hermaphornology” Tema Celeste Magazine #93 (page 94) Fall

- Ken Johnson on Joseph Nechvatal, New York Times

- Barbara Weidle “Computer paintings” artnet.com

2001 - Nanette Wylde Regarding a Digital Aesthetic: Speculation in Context

- Kevin Haas on Joseph Nechvatal at http://www.accumulated.org/sgc.html

- Margot Lovejoy on Joseph Nechvatal in "Postmodern Currents: Art and Artists in the Age of Electronic Media", Prentice Hall Press

- Ellen Levy on Joseph Nechvatal in “Responses”, Art Journal Spring 2001

2000 - Robert C. Morgan. “Joseph Nechvatal at Universal Concepts Unlimited “,NY Arts Magazine, December Issue, p.69

- David Ebony, “Joseph Nechvatal at Universal Concepts Unlimited”, Artnet Magazine - http://www.artnet.com/Magazine/reviews/ebony/ebony(3)11-22-00.asp

- Joy Garnett, “Newsgrist's Top 3: Nechvatal, Held, Ritchie”, Newsgrist, Volume 1, no. 51 (2000)

- Robert C. Morgan, “Digital Hybrids”, pp. 75-76, in Art Press #255 (March)

1999 - John Johnston, "Machinic Vision", p.39, in Critical Inquiry, Vol. 26, No. 1

- Richard Krueger, Digital Hybrids Catalogue, p. 5,Youngstown

- Paul D. Miller, The Techno-Digita Sublime, Artbyte, Sept/Oct

1996 - Wayne Enstice & Melody Peters, Drawing: Space, Form, & Expression, New Jersy: Prentice Hall, pp.312-313

- Jay Murphy, "Joseph Nechvatal", Galeries Magazine

- staff, "Bilder Zwischen Kulturwert und Schaulust" Kunstmarket Koln

- staff, "Joseph Nechvatal: Computervirussen", Aalst Press

1995 - staff, "Art Enters The Digital Age", Art News, Sept/Oct

- staff, "Joseph Nechvatal's Virus Developement", Cause Toujours #2, Mai

- staff, "Joseph Nechvatal", CD-Media, Juin

- Cécile Ambert, "Virus Project", Nov Art, Juin,

- Annick Hémery, Le Clone Du Trim, Joseph Nechvatal, Clone Mai,

- staff. "Joseph Nechvatal", Liberation (March 24)

- Picard, Gilles-Francois "Les Mysteres de l'art Fractal", La Gazette No II (17 Mars)

1994 - staff. "Computer Virus Project", Bomb (Winter)

- staff, "Joseph Nechvatal", Gazet Van Antwerpen

- staff, "Joseph Nechvatal; Computerbilder", Kunst Munich

- Annik Hémery, “Joseph Nechvatal sur les traces de Pasteur” http://www.imaginet.fr/clone/nechvat.htm

1993 - Morgan, Robert C. “Nechvatal’s Visionary Computer Virus” In Gruson, L. ed. 1993. Joseph Nechvatal: Computer Virus Project. Arc-et-Senans: Fondation Claude-Nicolas Ledoux, pp. 8-15

- staff. "Digital Diseases", Details (November)

- staff. "Joseph Nechvatal, l'art sur ordinateur", Le Progress (August)

- Conde, Susan "La Fractalite dans l'Art" (June)

- Morgan, Robert C. "Joseph Nechvatal: Lamentations of the Soul" After the Deluge

- Pagel, David "Techno Domination", Los Angeles Times (September)

- Gruson, L. “A Case of Contamination” In Gruson, L. ed. 1993. Joseph Nechvatal: Computer Virus Project. Arc-et-Senans: Fondation Claude-Nicolas Ledoux, pp. 6-7

1992 - Andre, Michael "Joseph Nechvatal", Cover (April)

- Hagen, Charles "A Show of Five Artists Who Use the Look of Photo Reproduction", The New York, NY Times (May 18)

- Pocock, Philip "Interview with Joseph Nechvatal", Journal of Contemporary Art (Fall)

1991 - Crockett, Tobey "I, Robot", Village View (March 1-7)

- Frank, Peter "Art Pick of the Week", LA Weekly (March 22-28)

- Mennetrier, J.L. "Joseph Nechvatal nouveau ' locataire' de la residence d'artiste", La Voit du Jura (September)

- Tonkinson, Carole "Footloose", Elle Magazine (May)

1990 - Amine, Patrick "Joseph Nechvatal, Galerie Antoine Candau", Art Press

- Borum, Jenifer P. "Joseph Nechvatal", Artforum (October)

- Cyphers, Peggy "Joseph Nechvatal", Arts (September)

- Engelhorn, Patrizia "Landspace of Points", Prinz Magazine (November)

- Groome, Carle VP. "Ex Statis by Joseph Nechvatal", Ear (October)

- Pallentin, Christian "Kunst", Siam (December)

- Steinlechner, Carin "Joseph Nechvatal", Donnerstag (October)

1989 - staff "Joseph Nechvatal", Los Angeles Times (March 10)

- Collins,Tricia & Milazzo, Richard "Hyperframes: A Post-Appropriation Discourse", Vol 1

- Ehinger, Asa "Joseph malar med dator", Sydsvenskan, Lund

- Frank, Peter "Pick of the Week", LA Weekly (April 7-13)

- French, David "Joseph Nechvatal", Artscene (March)

- Geer, Suvan "Joseph Nechvatal", L. A. Times, (December 15)

- Lovejoy, Margot "Postmodern Currents : Art and Artists in the Age of Electronic Media", UMI Research

- Kandel, Susan "Joseph Nechvatal", Arts (Summer)

- Marks, Ben "A Technology Under Control", Artweek (March)

1988 - Bromberg, Craig "The Collaborative Itch", ArtNews (November)

- McCormick, Carlo "Joseph Nechvatal", Artforum (March)

- Miller, John "Joseph Nechvatal", Artscribe (Summer)

- Morgan, Robert C. "Joseph Nechvatal", Arts (March)

- Sem-Sandberg, Steve "Vart Visuella Kaos" (Our Visual Chaos) Svenska Dagladet (December 2)

- Smith, Lawrence R.- and Hagley, Doug "An Interview with Joseph Nechvatal", Caliban 5

- Zellen, Jody "Joseph Nechvatal at Shoshana Wayne", Art Issues (Summer)

1987 - Hoog, Eckhard "Im Dschungel der Bilder Joseph Nechvatal im Aachener

- Kunstverein", Aachener Volkszeitung (May 22)

- Levi, Corrado "Joseph Nechvatal", Cover (February)

- Lottmann, Joachim "Documenta-Eindr¸cke von der Erˆffnung" Wolkenkratzer Art Journal (summer)

- Malsch, Friedemann "Joseph Nechvatal Galerie Anna Friebe" Kunstforum (January)

- Siffrin-Peters, Annette "Gewirr aus feinen Linien. Documenta-Teilnehmer

- Joseph Nechvatal vorab in Aachen zu sehen, Aachener Nachrichten (May 22)

1986 - Collins, Tricia and Milazzo, Richard "New York, NY: Tropical Codes", Kunstforum (March)

- Collins, Tricia and Milazzo, Richard "Joseph Nechvatal: Grace Under Pressure", Differentia (Fall)

- McCormick, Carlo " Joseph Nechvatal", Unsound Magazine (Vol.3 No.1)

- Larson, Kay "The Flash of Truth", New York, NY Magazine" (October 27)

- Levin, Kim "Artwalk", Village Voice (October 21)

- Levin, Kim "Joseph Nechvatal" The Village Voice (October 14)

- Morlung, Ursula "Pollock als Vorbild: Joseph Nechvatal in der Galerie Anna Friebe", Külner Stadt (October 24)

- Raab, Jörgen "Humanisierung der Technik: Joseph Nechvatal bei Anna Friebe", Külner Illustrierte (November)

1985 - Collins, Tricia and Milazzo, Richard "The New Sleep: Stasis and the Image-Bound Environment", Art Journal (Fall)

- Crary, Jonathan "Joseph Nechvatal at Brooke Alexander",Art in America (January)

- Moore, Alan and Miler, Marc "ABC No Rio Dinero: The Story of a Lower East Side Art Gallery", Published by ABC No Rio with Collaborative Projects Inc. New York, NY

- Pincus-Witten, Robert "The New Irascibles", Arts (September)

- Raynor, Vivian "Joseph Nechvatal", The New York, NY Times (October 18)

1984 - Brooks, Rosetta "Interview-Rhys Chatham & Joseph Nechvatal", ZG, (#12 Fall)

- Cotter, Holland "Joseph Nechvatal", Arts (November)

- Deak, Edit "The Critic Sees through the Cabbage Patch", Artforum, (April)

- Fisher, Jean "Joseph Nechvatal", Artforum, (January)

- Glueck, Grace "Joseph Nechvatal", The New York, NY Times (September 21)

- Jones, Ronald "Joseph Nechvatal", Arts (December)

- Kleyn, Robert "The Shadow Reflected", ZG (#12 Fall)

- Kleyn, Robert "Protective Mimicry", Vanquard (March)

- Kuspit, Donald "Joseph Nechvatal", Artforum (December)

- Masheck, Joseph Smart Art, Published by Willis, Locker & Owens, New York, NY

- Robinson, Walter and McCormick, Carlo "Slouching Toward Avenue D", Art in America (Summer)

1983 - Fine, Kimberly "Joseph Nechvatal East Village Eye (October15)

- Levin, Kim " Shock of the Old", Village Voice (September 27)

- Levin, Kim "Joseph Nechvatal / Not Vital / Robin Weglinski", The Village Voice (May 17)

- McCormick, Carlo "Joseph Nechvatal", New York, NY Beat (December)

1982 - Lawson, Thomas "Joseph Nechvatal (The Kitchen)", Artforum (April)

- Raynor, Vivian "The Automatic Salon", The New York, NY Times (June 18)

- Russell, John "Inaugural Show-Jack Tilton Gallery", The New York, NY Times (October 7)

 

COLLECTIONS PUBLIQUES :

- The Museum of Modern Art, New York, NY, USA

- Los Angeles County Museum of Art; Los Angeles, USA

- Museum of Contemporary Art, Los Angeles, USA

- Israel Museum, Jerusalem, Israel

- The Schyl Foundation, Malmo Konsthall, Sweden

- The Jewish Museum, New York, NY, USA

- Moderna Muset, Stockholm, Sweden

- New Mexico Museum of Art, Museum of New Mexico, Santee Fe, New Mexico, USA

- Albright-Knox Art Gallery, Buffalo, New York, USA

- Musee Leon Dierx, La Reunion, France

- Frac Franche-Comte, France

- Museum of Art, Rhode Island School of Design, Providence, Rhode Island, USA

- Saline Royale, Arc-et-Senans, France

- Saint Louis Art Museum, St. Louis, Missouri, USA

- Musée de Dole, Dole, France

- Portland Museum of Art, Portland, Maine, USA

- Rose Goldsen Archive of New Media Art at Cornell University, Ithaca, NY, USA

- Pennsylvania Academy of Fine Arts, Philadelphia, Pennsylvania, USA

- Weatherspoon Art Gallery, University of North Carolina, Greensboro, USA

- The Municipal Museum of Art, Györ, Hungary

- Robert Shiffler Foundation, Greenville Ohio, USA

- The Minneapolis Institute of Arts, Minneapolis, USA

- Malmö Konsthall, Sweden

- University of Michigan Museum of Art, Ann Arbor, Michigan, USA

- University of Alaska Museum of the North, Fairbanks, Alaska, USA

- Honolulu Academy of Arts, Honolulu, Hawaii, USA

- Cedar Rapids Museum of Art, Cedar Rapids, Iowa, USA

- Spencer Museum of Art, The University of Kansas, Lawrence, Kansas, USA

- Portland Museum of Art, Portland, Maine, USA

- Academy Art Museum, Easton, Maryland, USA

- Frederick R. Weisman Art Museum, University of Minnesota, Minneapolis, Minnesota, USA

- Columbia Museum of Art, Columbia, South Carolina, USA

- South Dakota Art Museum, South Dakota State University, Brookings, South Dakota, USA (image reproduced in The Dorothy and Herbert Vogel Collection: Fifty Works for Fifty States, National Gallery of Art, 2008, p. 191)

- Memphis Brooks Museum of Art, Memphis, Tennessee, USA

- Blanton Museum of Art, University of Texas at Austin, Austin, Texas, USA

- Nora Eccles Harrison Museum of Art, Utah State University, Logan, Utah, USA

- Robert Hull Fleming Museum, University of Vermont, Burlington, Vermont, USA

- Mississippi Museum of Art, Jackson, Mississippi, USA

- Yellowstone Art Museum, Billings, Montana, USA

- Las Vegas Art Museum, Las Vegas, Nevada, USA

- Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, USA

- Plains Art Museum, Fargo, North Dakota, USA

- Akron Art Museum, Akron, Ohio, USA

- Oklahoma City Museum of Art, Oklahoma City, Oklahoma, USA

- University of Wyoming Art Museum, Laramie, Wyoming, USA (image reproduced in The Dorothy and Herbert Vogel Collection: Fifty Works for Fifty States, National Gallery of Art, 2008, p. 227

2000 - R.E.D. - Remote Experience Dependency, UCU Gallery, New York City

- Noise: The Digital and the Discrete,Whipple Museum of the History of Science, Cambridge (catalogue, with essay by Bruno Latour)

- The Perpetual Well, Samuel Harn Museum of Art, Gainesville, Florida

- The Perpetual Well, Parrish Art Museum, Southhampton, NY

- Rounders, UCU Gallery, New York City

- polyALTERITY, UMF Art Gallery, Farmington, Maine (catalogue)

1999 - Reflex: Matthias Groebel, Joseph Nechvatal & Endre Tót, Galerie Berndt, Koln

- Digital Hybrids, McDonough Museum of Art, Youngstown, Ohio (catalogue)

- The Techo-Digital Sublime, Central Fine Arts, New York City (web-site)

- MA(R)KING, Central Arts, Tuscon, curated by Elaine E. King (catalogue)

- Three Computer-related Artists, Galerie Berndt, Köln

- Links: Schilderkunst in Extremis? Kunstcentrum Sittard, Maastricht

- Diverse Dialogues, Aljira Center for Contemporary Art, Newark

- Old School, Life, New York City, curated by Carlo McCormick

1998 - Body Mécanique, Wexner Center, Columbus Ohio (catalogue)

- Thundergulch: Computer Arts Fellows, NYC Technology Center

- Chaos and Capacity, Central Fine Arts, Inc. NYC

1997 - Art Fractal, Gallerie Ricard, Paris (catalogue and web-site)

- Zoom (Fractal), Stae University of New York, NY, Purchase (catalogue)

1995 - BLAST Bioinformatica, Kolnischer Kunstverein, Koln (catalogue)

- BLAST, Galerie des Archives, Paris (catalogue)

- Veered Science, Huntington Beach Art Center, California (catalogue)

- In Corpus Machina, Espace d'Art, Paris

- BLAST Bioinfomatica, Javier Lopez Gallery, London

- Reinventing The Emblem, Yale University Art Gallery (catalogue)

- Die Schnheit Der Fraktale, Galerie Karin Sachs, Munich

- Transiti, Arx Art Gallery, Torino, Italy (catalogue)

- Art Fractal: été,Galerie Angle Art Contemporain, St. Paul-Tro Château

1994 - Excess in the Techno-Mediacratic Society, Shoshana Wayne Gallery, Santa Monica, Ca. (curated by Joseph Nechvatal) (catalogue)

- Art & Virus, Gallery Yaki Kornblit, Amsterdam (catalogue)

- Tohu-Bohu, Galerie de l' etoile, Paris (catalogue)

- Art & Virus, Galleria Del Ventaglio Contemporanea, Udine, Italy (catalogue)

- Lo Specchio di Proteo, Perugia, Alessandria, Italy (catalogue)

- Figures d'Origines, Chapelle Salpetriere, Paris (catalogue)

1993 - Computeruntersttzte Kunst, Kunstlerwerkstatt, Munich (catalogue)

- L'Opera Al Femminile, Galleria Arx, Torino

- Bodies, Atelier of Philip Pocock, Köln

- Excess in the Techno-Mediacratic Society, Musee D'Arbois, France (curated by Joseph Nechvatal) (catalogue)

- Excess in the Techno-Mediacratic Society,Galerie Krinzinger, Vienna (curated by Joseph Nechvatal)

- Erlebnis E Alterita, Galleria Marco Noire, Torino (catalogue)

- Hiding / Revealing, Galerie In Situ, Aalst

- La Fractalite Dans L'Art, Campus de La Doua, Villeurbanne (catalogue)

- Mediale Hamburg (catalogue)

- Painting as Paradigm, Stark Gallery, New York, NY

- Procedures: Informatiques, Ecole Nationale Superieure des Beaux Arts, Paris

- Presentation, NeuerAachenerKunstverein, Aachen

1992 - Ecstasy, Dooley Le Cappellaine, New York, NY

- L'Epreuve Numerique, Centre National de la Photographie, Paris

- New York, NY Artists, Galerie Bernhard Steinmetz, Bonn

- 10th Anniversary Visiting Artists Exhibition, Ewing Gallery, University of Tennessee at Knoxville

- Representation, Reproduction and Photography, Usdan Gallery, Bennington College, Bennington, VT

1991 - Outside Ameirca: Going into the 90s, Fay Gold Gallery, Atlanta

1990 - 20th Anniversary Exhibition White Columns, New York, NY

- All Quiet on the Western Front, Galerie Antoine Candau, Paris (catalogue)

- Exchange of Information, New York, NY Telephone New York, NY

- Le Tableau des Riches Inventions, Picaron Editions, Amsterdam

- The Unique Print: 70s into 90s, Lois & Michael Torf Gallery, Museum of Fine Arts, Boston

1989 - Theater on Paper, The Drawing Center, New York, NY

- Once upon A Time There Was A Photograph, Barbara Gillman Gallery, Miami

- After Collapse: Rebuilding Expressive Media, State University, Amherst, Ma.

- Strange Attractors: Signs of Chaos, The New Museum of Contemporary Art, New York, NY (catalogue)

- Standplaats AKI, Akademie Voor Beeldende Kunst, Enschede, The Netherlands

- Moderne Kunst, Malmo Kunsthallen Brandts Klaedefabrik, Odense, Malmo Sweden

- Erotic America, (curated by Joseph Nechvatal) Galerie Antoine Candau, Paris (catalogue)

1988 - Art at the End of the Social, Rooseum, Malmo, Sweden (catalogue)

- New Visions of the Apocalypse, Museum of Art, Rhode Island School of Design, Providence (catalogue)

- New York, NY Now, Guthenberg Art Museum (traveled in Sweden and Finland) (catalogue)

- Perpetual Subversions, Bruno Facchetti, New York, NY

- Computer Assisted: The Computer in Contemporary Art Freedman Gallery, Albright College, Reading, Pa.

- Committed to Print, The Museum of Modern Art, New York, NY (catalogue)

1987 - Chemical Field, De Zaak, Groningen

- Digital Visions: Computers and Art, Everson Museum of Art, Syracuse (catalogue)

- Digital Visions: Computers and Art, IBM Gallery NYC (catalogue)

- New Coordinates, Simard, Halm and Shee Gallery, Los Angeles

1987 - Documenta 8, Kassel Germany (catalogue)

- This is not a Photograph: Twenty Years of Large-Scale, Photography: 1966-1986, The John & Mable Ringling Museum of Art, Sarasota, Fl. (catalogue)

- This is not a Photograph: Twenty Years of Large-Scale, Photography: 1966-1986, Akron Art Museum, Ohio (catalogue)

- This is not a Photograph: Twenty Years of Large-Scale, Photography: 1966-1986, The Chrysler Museum, Norfolk, Va. (catalogue)

1986 - Drawings from the Collection of Dorothy and Herbert Vogel, University of Arkansas at Little Rock

- Drawings from the Collection of Dorothy and Herbert Vogel, University of Alabama Moody Gallery of Art

- Drawings from the Collection of Dorothy and Herbert Vogel, Tuscaloosa Pennsylvania State University

- Drawings from the Collection of Dorothy and Herbert Vogel, Palmer Museum of Art, University Park

- Il Cangiante, Padiglione d'Arte Contemporanea, Milano

- Metabody, Hallwalls, Buffalo, NY (catalogue)

- Spiritual America, CEPA, Buffalo, NY

- Pay Attencion, Brandts Palchus Galleri, Copenhagen

- Drawings, Piezo Electric, New York, NY

- Time after Time, Diane Brown Gallery, New York, NY

- Face It, Anders Tornberg Gallery, Lund, Sweden

1985 - Infotainment,Texas Gallery, Houston (catalogue)

- Infotainment, Rhona Hoffman Gallery, Chicago (catalogue)

- Infotainment, Vanquard Gallery, Philadelphia (catalogue)

- Infotainment, Aspen Art Museum, Aspen Colo. (catalogue)

- Infotainment, De Selby Gallery, Amsterdam (catalogue)

- Infotainment, Galerie Montenay-Delsol, Paris (catalogue)

- Correspondences: New York, NY Art Now, Laforet Museum Harajuku, Tokyo (catalogue)

- Correspondences: New York, NY Art Now, Tochigi Prefectural Museum of Fine Arts, Utsunomiya

- Correspondences: New York, NY Art Now, Tagaki Hall Espace Media, Kobe (catalogue)

- Anniottanta Castel Sismondo, Palazzina Moster, Chiesa di Santa Maria ad Nives, Rimini

- Anniottanta Castel Sismondo, Galleria Comunale d'Arte Moderna, Bologna

- Whitney Biennial: Group Material, The Whitney Museum of American Art, New York, NY

- Memento Mori, Moore College of Art Gallery, Philadelphia (catalogue)

1984 - Drawings, Paintings, and Sculpture, Brooke Alexander, New York, NY

- Smart Art: New Work from New York, NY, Carpenter Center for the Visual Arts, Harvard University, Cambridge, Ma. (catalogue)

- Disarming Images: Art for Nuclear Disarmament, Contemporary Arts Center, Cincinnati (catalogue) (travelled to ten institutions in the United States)

- Via Satellite, Amerika-Haus, Cologne (catalogue)

- Natural Genre, Fine Arts Gallery, School of Visual Arts, Florida State University (catalogue)

- The New Capital, White Columns, New York, NY

- Drawings by Contemporary Figurative Artists, Meyerhoff Gallery, Maryland Institute, College of Art, Baltimore (catalogue)

- Humanism: An Undercurrent, University of South Florida, Tampa

- Romance and Catastrophe, Piezo Electric, New York, NY

- Contemporary Perspectives, Center Gallery, Bucknell University, Lewisburg, Pa.

- Motives, Albright-Know Art Gallery, Buffalo, NY (catalogue)

- New York, NY New: 26 Artists, Studio di Corrado Levi, Milano (catalogue)

- Dessins, Gillespie-Laage-Salamin, Paris

1983 - New York, NY, Kunstmuseum, Aalborg (catalogue)

- New York, NY, Randers Kunstmuseum (catalogue)

- Contemporary Drawings, Barbara Krakow, Boston

- Four New York, NY Artists, Jack Tilton Gallery, New York, NY

- Rotating Group Show, Paula Cooper Gallery, New York, NY

- Speed Trials, White Columns, New York, NY

- Joseph Nechvatal / Not Vital / Robin Weglinski, Gallery Nature Morte, New York, NY

1982 - The Atomic Salon, Ronald Feldman Gallery, New York, NY

1981 - The Positive Show, ABC No Rio, New York, NY

- New Drawings, The Drawing Center, New York, NY (catalogue)

- The Doomsday Show, Artists Space, New York, NY

- The Monumental Art Show, Brooklyn, NY

- The Inauguration Show, ABC No Rio, New York, NY

1980 - Colab : Collaborative Projects, Brooke Alexander, New York, NY

- Murder, Suicid &, Junk, ABC No Rio, New York, NY

- Artists for Survival, ABC No Rio,

- The Times Square Show, Times Square, New York, NY